The Dark Knight Rises
July 24, 2012 by Zack
Back in 2005, Christopher Nolan rescued one of the most self-destructive franchises in movie history when he resurrected Batman in “Batman Begins”. What began as a promising run with Tim Burton in 1989 devolved quickly once it was taken over by Joel Schumacher in the mid-90’s; and the culminating film, “Batman & Robin”, promised that the franchise had completely fallen apart. After that film, I think we were all sick of Batman. At least, we were sick of *that* Batman. But, Batman as a symbol of justice, as a comic book hero, is still intriguing. The costume, the super rich alter ego, and the inner struggle of the character, are still something we yearn to see.
And so, Christopher Nolan, who at the time was still making his way into the Hollywood mainstream, rebooted the whole thing and started from scratch. At the time, we didn’t have an onslaught of comic book movies every year, so it didn’t feel as much as a saturated genre (as, say, watching “The Amazing Spider-Man” did). And Nolan took a serious approach to Batman, someone who wanted to do a character study as well as an action film. The result, “Batman Begins”, was a smashing success. Finally we saw Batman as a real character. The film was dark and brooding much like Burton’s 1989 version; but we learned so much more about Bruce Wayne and Batman in this film. With champion efforts by good actors like Michael Caine and Chrisitan Bale, this Batman movie was thorough, thought-provoking, and sensational.
His follow up was one of the biggest and best comic book epics brought on screen with “The Dark Knight” in 2008. Though that movie was surrounded by the hype of the passing of Heath Ledger, the film stood as a fantastic, big scale action thriller with one of the best “villain” performances in film history. It would be hard to top an achievement such as “The Dark Knight.”
This time, Nolan tries his best with “The Dark Knight Rises”, throwing everything and the kitchen sink at us with big explosions and massively complex action sequences. The result? Well, I said it’d be hard to top “The Dark Knight”. And, it certainly doesn’t come close. In fact, this to me was the weakest of the 3 films. It spends so much time on the action and too much time on corporate politics, and so little on character, that this was an imbalance.
“Rises” begins big with an escape by the villain Bane (played by Tom Hardy), a hulking cross between a roided up bomber pilot and Darth Vader who has a curious wit that could be appreciated if we could understand what he was saying half the time. While the voice is a bit bass amplified and broadcast through surround sound, sometimes it’s so muddled that you just have to give him the benefit of the doubt. Other times, his voice goes so over the top it’s hard to tell if he’s aware of how silly he sounds. But when Bane throws his hands, it’s no laughing matter. There’s no question that he is the most physically imposing villain that Batman has faced in the entire movie series, dating back to the 60’s.
Meanwhile, Bruce Wayne is bankrupt after a venture with Miranda Tate (Marion Cotillard), who seemingly comes out of nowhere to help Wayne Enterprises, and has invested in a fusion power project that has ultimately cost him his fortune, and his board removes him from the company. She and Wayne share a brief romance; but there isn’t a lot of time spent on their relationship, and perhaps it’s for the best in the end.
As for Batman, he’s retired. Wayne suffered an injury that has left him a bit crippled. This is taken advantage of by another adversary, who is Selina Kyle, or, Catwoman (Anne Hathaway). She’s a burglar who only steals from rich people…like Robin Hood. Only with much more sex appeal. There are two sides to this character, though, and she is actually one of the stronger ones in the film thanks to a brilliant performance by Hathaway. There is a vulnerability inside her; but she “masks” it (ahem) with a hard edge that says she can’t be manipulated. Wayne somewhat sympathizes with her; she feels something for him as well, but she just can’t show it.
Batman does make a comeback, however, as expected. Otherwise I guess the movie would’ve only been 45 minutes long and called “The Dark Knight Says I’d Rather Not”. He’s not as strong as Bane, however, and routinely gets dominated by Bane’s strength and agility. The reason Bane is so similar to Batman physically is because he was trained by the same man, Ra’s al Ghul (reprised by Liam Neeson) in the League of Shadows. Bane was excommunicated, and is seen as Batman as a “rogue”. But Bane wins out, and Batman is cast into the same prison that Bane grew up in, with his only hope of escaping is by climbing out of a hole and leaping to freedom. Allegedly, Bane is the only one who could ever do this, and it was when he was a child.
The city of Gotham is at Bane’s mercy, and he destroys a part of it with explosives in the ground that erupt and blow up a football stadium (one of the more breathtaking sequences in the film), and some of the bridges. It also encases the entire police force underground, leaving the city to a Lord of the Flies-like Martial Law. However, this won’t last very long as he has coveted a nuclear bomb after releasing the core from its fusion power chamber, that will detonate in 5 months. Whomever programmed a time bomb for that long either forgot to carry the one, or is a very patient madman.
The only cops that are above ground are the disgraced former Commissioner Gordon (Gary Oldman) and a bright young cop named Blake (Joseph Gordon-Levitt). Blake still believes in the Batman even though he’s part of a police force that was after him when Batman was still capering in Gotham City.
All of these stories meshing together do make for an ok 165 minute lark. There’s never a moment of boredom in the film because it’s packed with so many intense sequences and climactic action scenes. It does not wear you out. However, because of the scale of the epic, and a drop off in character development, there are some lulls in the storylines that leave some very wide open plot holes. I’m all for suspending disbelief, but this really tries your patience on more than a few occasions, especially at the end. Then it goes beyond suspending disbelief to the point where you have to damn near expel it. Also, Bane is not nearly as interesting or consistent as the Joker was. Granted, it would be hard to top Heath Ledger’s performance. But Bane really doesn’t have much of a personality; and, as I mentioned before, it’s hard to understand a word he’s saying sometimes. Hardy does as much with his eyes and body language to convey his meaning; but the overpowering inability to hear his words really hurts the performance. I blame this on post production and Nolan’s stubbornness more than Hardy’s acting chops, however.
The film’s pace is fine, and it does have some superior effects; on balance, I would have still recommended it…had it not been for the ending, as I mentioned above. Nolan has always seemed to rise above standard movie cliches and even with the somewhat bloated “The Dark Knight”, he still told a compelling story rich in story and character, and here I just felt left out. But beyond that, which I could still forgive, the ending is not only cliched, but ultimately impossible. And in its final shot, more groan inducing than moving. Nolan is an intelligent writer and filmmaker; but here, he seems to take the easy way out to appease the audience. I would’ve expected a more complicated or compromising climax out of such a grandiose trilogy. Instead, it’s very predictable and relies so heavily on your belief in comic book hero magic that it just felt out of place in a film series full of so much…reality. And that’s what had separated Nolan’s Batman series from the others.
This is still a strong trilogy; in time, I may forgive the film for its flaws. For now, I can only give a mixed review and say I would’ve liked to see more out of a filmmaker I respect as much as Christopher Nolan.