July 8, 2015 by Zack
“A straight line. You keep moving forward and never look back.” That’s a line frequently used in the 5th film of the “Terminator” franchise–a franchise that probably didn’t need more than 2 movies (the first two, which were the best). But, here we are, far removed from the era of Cameron’s masterpieces. The ironic thing about that line, though, is that “Terminator: Genisys” hardly moves in a straight line. It’s about as all over the place as you can get. There is so much time travel in this film, it almost borders parody. I thought of “Back to the Future Part II”, in which multiple timelines are crossed and crossed again–but the film always made sense and cleaned up its mess.
Here, director Alan Taylor leaves it to us to clean up the mess. And about halfway through, you are basically the 8 year old kid who decides to go play with his friends and ducks out of the bedroom window, climbing down the tree touching the window. It’s not worth trying to figure out. The question is: do you sit back and enjoy the ride? Or do you pick apart the flaws in the time travel?
The story is basically a sequel, a prequel, and a reboot, all in one. It starts with the war against the Terminators, when John Connor (nicely played by Jason Clarke) sends Kyle Reese (Jai Courtney) back to 1984 to protect Sarah Connor (Emilia Clarke), and mate with her to produce…him. He has to do this because Skynet has invented a way to send Terminators back in time, so that humanity has no chance of ever posing a threat to their domination. But when Reese is sent back, there is a bit of a breach in the nexus while he is being transferred. When he gets to 1984, he finds that Sarah not only knows about Terminators sent to kill her, but she’s already befriended one that was sent to protect her. She calls him “Pops” and he fights a fresh T-800, and has to fight another T-1000. Arnold Schwarzenegger proudly returns as the monotone voiced Terminator, and he fights his younger self in a pretty entertaining early battle scene. While this probably should have been more like the concluding climactic fight, it still works as a shot in the arm to get things going.
The T-1000 is a bit out of place in this film, as its technical effects just don’t seem all that impressive anymore. After all, we’ve seen this in the first two “Terminator” sequels, and I felt that it exhausted its welcome there. Here, it seems just thrown in. But I will always have a hard time arguing against seeing a Lee Byung-hun. Pops takes him down fairly early, indicating that they know the T-1000 is just chump change at this point.
But from there, the story gets more complicated. The issue mainly surrounds John Connor, which is typical in a “Terminator” film. But the time travel element gets extremely liberal in its narrative usage, and your head will probably spin when all of it is thrown at you.
My advice is, don’t worry about it. You aren’t going to need to know the “why” in this film. All you need to do is accept it based on the fact that, well, time travel doesn’t really exist anyway. All the questions you have are too logical for such a thing, and if you start thinking too much about it, you are going to miss a pretty well paced and entertaining action film. And that’s all this is. And it’s basically saved by Arnold’s winning performance. I didn’t care much for Courtney as Kyle Reese, nor Emilia Clarke as Sarah Connor. Not because they weren’t played by the original actors (I liked Anton Yelchin as a young Reese in “Salvation” anyway), but because I feel like they were the wrong actors to play the parts. Both are capable actors, both I’ve liked in other things. But here, they just don’t look right to me. But Arnold does, and he really gives an A grade performance that makes this film watchable. I will admit, as decent it is as an action film on its own, there are many flaws in it that I forgave once I saw that forced smile by Arnold. I also liked J.K. Simmons, as usual, turning in an amusing supporting role.
This is not a great film by any means, and I didn’t enjoy the resurrection of the franchise quite as much as I did “Jurassic World” with the “Jurassic Park” franchise. But it did deliver a good enough payload for me to recommend it–mainly because of Schwarzenegger’s trademark charisma and appeal, and because the action sequences size up to the rest of the franchise as well.
No one’s walking in a straight line, but certainly no one’s looking back here, either. For a franchise that should have stopped with “Terminator 2”, you could probably just skip 3 and 4, watch this, and be satisfied enough with a trilogy–even though the first two are in a very different, and superior league.