The third installment of the rebooted “Star Trek” franchise takes the best elements of the 2009 film and leaves out the weakest elements of the 2013 sequel, “Into Darkness”. The series has hit its stride with “Star Trek Beyond”, this time directed by Justin Lin (“The Fast and Furious” series), and packs an entertaining punch while also keeping a comic tone intact.
The screenplay was co-written by Simon Pegg, who plays Montgomery Scott on board the Enterprise. His keen awareness of the importance of the chemistry between the characters is very evident, making this probably the most rewarding experience of the three films so far.
The film begins much like “Into Darkness” did, with Kirk doing everything he can to mess up what seems to be a simple mission. The creatures he speaks to look a bit like “Star Wars” prequel rejects, but turn out to be cute little miniature Jumanji hybrids. Though chuckle-inducing, I hope this doesn’t become the standard in subsequent scripts. In fact, the series should probably take a new direction after this one, so as not to become stale too quickly.
The main plot of the film involves a husky lizard-like villain named Krall, who is looking for a relic that Kirk had in his possession in his mission to appease the creatures in the beginning of the film. Apparently this artifact has a lot of unknown power, but Krall is after it. They first encounter him after agreeing to a rescue mission from a distressed former captain of her own ship, Kalara (Lydia Wilson), and seek to aid her while going into the Nebula. While there, they’re greeted by a slew of aggressive ships, and it’s fairly evident that it was a trap laid by Kalara. It’s not at first clear why, until she admits that her crew is at the mercy of Krall (Idris Elba). This is no consolation to Kirk, whose crew is now also taken captive.
Kirk, Chekov, Scotty, Bones and Spock have evaded capture, and are aided by a rogue female being, Jaylah (Sofia Boutella), who has been living in an abandoned Starfleet ship, the USS Franklin. At first confused why there would be an older Starfleet ship stuck in the rock of this planet, it becomes evident that Krall may have had a link to Starfleet Academy.
Meanwhile, Uhura and Sulu try to release the captives, as they themselves are prisoners as well. Uhura is the one who realizes Krall may not be as simple as a foul tempered, scaly antagonist. There seems to be something deeper within his anger and resentment toward their race.
As mentioned before, the film is directed by the man who gave us much of the “Fast and Furious” sequels, and this film has moments of being too fast and furious for its own good. But for the most part, it’s very well paced and the character interactions are a joy to watch. Bones and Spock have some great scenes together, and Scotty and Jaylah enjoy some nice chemistry as well. The film is probably the most action packed of the three, but it’s never uninteresting; and even at its most brazen and contemptuous of suspension of disbelief, it doesn’t go so far as to take you out of the moment. As unbelievable as some of the stunts are, you’re still rooting for these characters to be safe and return home in one piece.
The strength of the series has always been its cast–that goes back to the original cast of the 1960’s in the first series. It always felt like an ensemble, and this cast preserves that. These characters like each other, and we like them for it. It’s bittersweet to see Chekov one last time, as actor Anton Yelchin tragically died this summer. But he has a nice role in this film, and we will definitely miss him.
Also mentioned before, the series should probably start to take a new direction after this one. They’ve rebooted the cast, rehashed a villain, and now I think we’ve had our fill of revenge plots. Much like the first series of original films, which went in new directions, this series needs to find other stories to tell. They have the cast at their prime, now give them something different. This film is forgivable for its messy antics at times and even confusing narrative; if this is repeated in a fourth film, the series could start to lose itself, and that would be a shame.
For now, though, sit back and enjoy the ride. It’s entertainment at warp speed.
I thought when I first saw ads for this film that Marvel Studios was really scraping the bottom of the barrel and trying to pluck anything out of their catalog to sell to kids so that they could rake in money and dominate another summer. Then I saw that James Gunn’s name was attached and I started to change my mind a bit. I had never heard of “Guardians of the Galaxy” before learning of the film’s release; after reading up a little bit on it, it actually looked like it could be a fun vehicle. Another thing I was hesitant to be excited about was the casting of Dave Bautista. He doesn’t ever come across as charismatic or endearing. Finally I stopped my preconceived notions like a nosebleed and decided to just go see the film and draw an opinion on what I saw on the screen.
What I saw was pure, absolute, 100% entertainment. This is what summer action movies are supposed to be like. While the first twenty minutes or so are quite a lot to take in–lot of backstory–once it settles in and our feet are firmly planted, it is a real treat. Gunn’s flair for humor permeates the whole film, which is a good thing. It’s funny to think a former Troma filmmaker could pull this off. But he does. And he even includes his old pal Lloyd Kaufman (former founder of Troma Films and director of “The Toxic Avenger” among other films) as a prison inmate in one scene.
The story involves a group of criminals in their own way thrust together by a nice MacGuffin (a little metal orb) that is worth a lot; but what it is, nobody really knows. We begin with the backstory of the main character, Peter Quill (very nicely played by Chris Pratt), as he’s a child tragically watching his mother die before him in a hospital. The only thing that seems to comfort him is his walkman (this is 1988), with an “Awesome Mix” playing. He is told he is going to be taken care of by his grandfather; but once he runs outside, tears streaming down his face, he is picked up by a large spacecraft. Decades later, he is a grown man and a thief working for the alien that abducted (and ultimately raised) him, Yondu (Michael Rooker, always a pleasure to see) and steals an orb that is meant for Yondu so he can sell it. Only Quill is attacked by a group led by someone named Korath (Djimon Hounsou), and escapes with the orb, enraging Yondu. It turns out Korath wanted the orb for a Kree alien named Ronan, whose assassin Gamora (Zoe Saldana) is hired to track down Quill and take the orb from him. Meanwhile, there’s a price of Quill’s head that draws the attention of a scruffy raccoon-like being, Rocket (voiced by Bradley Cooper) and his companion, Groot (voiced by Vin Diesel), and all parties converge on the planet Xandar, and are thrown in prison after some shenanigans take place.
There is a lot going on here, so I’ll just summarize: Rocket, Groot, Gamora, and Quill, all pretty much team up to escape prison. They are helped by another inmate, Drax (who has a back story involving Gamora that’s too complicated to get into in this review), played by Bautista. They escape, and are wanted by just about everybody–but they discover that the orb is actually a casing for something called the Infinity Stone that–wait for it–can give you ultimate power. Ronan wants it, but he has someone to answer to as well–Thanos. Ronan turns out to be a rogue and wants it for himself, and Gamora’s half sister Nebula (Karen Gillan), fights for Ronan. The team basically has to save the planet Xandar from Ronan and his quest for the Infinity Stone.
So try to follow all that. Actually, even if you’re extremely confused, the film never gets bogged down too much with plot that it takes away from the action and adventure of the story. The film’s two hour length is perfect and timed and paced well so that it’s rarely a dull moment.
But it’s really the characters of the Guardians that shine. Quill is your everyman, someone we all can relate to, and his sense of humor is charming. Rocket is a loudmouth but also amusing; Gamora is stunning and of course her chemistry with Quill is palpable. The surprise to me is Bautista’s performance as Drax. While Drax is hardly charismatic by design, it is his droll demeanor that actually winds up being what’s appealing about him. He has no reflection, no identity for irony (he once is told something “went over his head” and he retorts: “Nothing goes over my head. I would catch it immediately.”) and he speaks with a ridiculous vernacular for someone of his brawny size. Bautista plays it totally straight, no winking at the camera, and that makes Drax one of the strongest presences on screen, regardless of his physical prowess.
There are also some very tender moments, and one of the most touching actually involves Drax and Rocket. I won’t give away what it is, because it’s a major plot point, but I will note that it tugged at the heart strings. Of course Quill’s tragic back story with his mother resonates, and he is always seen carrying his walkman, trying to impress anyone he can with his awesome music (which for me was hit or miss).
The film reminded me of “The Avengers” in its spirit and emphasis on character and humor. The camaraderie between the gang is fun, and even when they’re at odds (which happens occasionally), it’s still a hoot.
Even though it seems like Marvel reached for this one, it proves there are some gems even at the bottom of whatever barrel they are scraping at. And because Marvel believes religiously in sequels, I know we will see these characters again.
And I look very much forward to seeing them.