Incredibles 2

June 20, 2018 by  
Filed under Movies

“The Incredibles” asked the age-old question in the world of superheroes: what do we do about all the damage they cause while saving the world? The answer is to make them illegal. Of course, this was back in 2004 when there was no MCU or DC Universe in films. All we had were 2 “Spider-Man” films and a few “X-Men” movies.

Interesting now after 14 years, we are re-introduced to the superhero family: the Incredibles; and they are still illegal, and now it almost looks like they’re satirizing the comic book universe.

But that’s really just a backdrop, a primer to get things going. The Incredibles Family: Mr. Incredible (Craig T. Nelson), Elastigirl (Holly Hunter), Violet (Sarah Vowell) and Dash (Huck Milner) and little baby Jack-Jack (Eli Fucile with the baby voice) are fighting against the Underminer, whom we last saw at the tail end of the first film. They stop him from destroying the entire city; but, he gets away, and the Incredibles still cause a lot of damage.

They are forced again to live as normal people, under the name of “Parr”: Bob and Helen. But, this time they have an ally. A wealthy business owner, Winston Deavor (Bob Odenkirk), wants to re-instate superheroes again as he believes they are key to saving human lives and society in general. He had a family crisis that ended in tragedy, that he believed could have been averted if superheroes didn’t have to live in secrecy. So, he decides to stage a PR event that will make the public see that they really need superheroes–and makes sure to keep the cost down as far as damage to the city of Metroville. Deavor enlists Helen to be Elastigirl with the first task. He believes she is the least likely to cause damage. This causes a bit of unrest with Bob since he is pretty much the “alpha” and wants to be out there saving lives as well. Winston assures him his time will come, but the inevitable comes first: Bob has to become a stay-at-home dad while Helen is off being Elastigirl.

So, Bob takes care of the kids: he sees to Dash’s math homework, he tries to console his daughter about a falling out with a boy (that he’s somewhat responsible for), and of course…take care of baby Jack-Jack. Babies are a workout in general, but how about a baby with over 15 superpowers, that are completely unpredictable and can be dangerous? Even deadly? This culminates in probably the funniest and most entertaining sequence in the film involving a raccoon. It’ll have your kids howling, but you will be too. It’s great comedy.

And that’s all this film is: it’s just great entertainment. Sure there are some logic flaws, and it can be extremely predictable. The subplot involving Winston’s sister Evelyn (Catherine Keener) goes exactly the way you think it will.

But, with the plot of Elastigirl trying to figure out the new supervillain “Screenslaver”, who is out to brainwash people and control them–including the supers (actually, especially the supers), you’re more than wrapped up in enough going on to keep you fulfilled throughout its’ 2 hour duration.

Frozone (Samuel L. Jackson) is back as well, including a new swath of supers that are ready to help out and want to be “legalized”.

The film works very well because the cast is very comfortable settling back into their characters, and writer/director Brad Bird holds down the story masterfully. The theme of being yourself no matter what and not hiding who you are is clear and present, and presents a good fable for kids growing up.

My rating: :-)

Brave

June 25, 2012 by  
Filed under Movies

The original title for this movie was “The Bear and the Bow”. Separating a bit from usual Pixar form, this story would revolve around a female–a princess, to be exact. Much more in the vein of the Disney canon rather than the Pixar formula, this project was also helmed by Pixar’s first female director, Brenda Chapman. Chapman left production while the film was still being made over “creative differences”, and it was taken over by Mark Andrews, this being his first full length feature film with Pixar. The idea for the film is much in the vein of the traditional fairytale. This does have a bit of a Pixar twist, but not it’s as devastating as “Up”‘s and not as deeply involving as “Toy Story”. While the film isn’t all about fun, like “Monster’s Inc.”, it does have some kiddie elements and doesn’t always take itself so seriously.

The film’s heroine is Merida (voiced joyfully by Kelly Macdonald), who just wants to be one of the boys. Actually, she just doesn’t want to be a lady. She’s an archer and is quite skilled at the bow. Her mother (voiced by Emma Thompson with a somewhat questionable Scottish accent) doesn’t like that Merida is so unladylike. She doesn’t like that she goes off into the forest, climbing, shooting, riding. She believes Merida should be proper, and will soon be given a suitor by one of the other clans. Her father (entertainingly voiced by Billy Connolly) doesn’t really have much of a say in anything. He seems to like that Merida is boyish, but also wants to keep his wife happy. While Merida is a little girl, her father suffers a debilitating leg injury while fending off a bear after it tries to attack Merida. This bear will play a larger role later in the film.

Meanwhile, after Merida’s all grown up, she is forced to take the hand of one of the clans’ sons that competes in Merida’s favorite sport–archery. She decides to fend for her own hand, much to the chagrin of her mother, who doesn’t want to allow it. But it’s too late, and Merida and her mother have a large fight that leads Merida to follow some enigmatic wisps of the willow into a forest, all the way to a mysterious witch. Merida wants to change her fate–but for some reason thinks that the way to do that is to change her mother’s fate. I still don’t follow that logic; but the result is quite interesting.

The change in Merida’s mother’s fate causes the two to bond with each other in an effort to make everything go back to normal; meanwhile, Merida’s father still has to entertain the clans while she supposedly deliberates over which suitor she chooses. The adventure in the film focuses on Merida and her mother, and their quest to undo what Merida has done.

The film really becomes more of a coming of age story and a very affectionate tale of mother/daughter relationships. It actually makes the other stuff seem a little forced in comparison. For instance, the cute but underused little brothers Merida has. They’re a joy to watch, but they’re hardly used. Same with the witch, and her strange crow that seems to be able to speak. But instead of having them as the resident villains, they disappear without a trace soon after being introduced. The lack of a central villain is a bit of a risk considering the formula this film follows. However, I thought they were able to pull off the story with having Merida herself being to blame for her mother’s misfortune, and it being up to her to save her. The payoff is a bit too easy, but the film has its share of amusing pratfalls and screwballery that keeps you entertained.

Overall it is a nice little tale, and the ending is moving. But there seems to be two different directions this movie wants to go and never quite gets to either, and I think that can be blamed a bit on the changing of the guard midway through production. Sometimes you can tell when a project changes hands (like in “Hancock”). I even think the title change is rather curious. This film isn’t so much about bravery (in that, Merida isn’t a coward in the beginning and brave by the end), but it is about a bear, and it does involve a bow. Maybe “The Bear and the Bow” just doesn’t resonate as a film title. It’d have to be some kind of Little Golden Book classic to retain a title like that.

For a Pixar film, it’s a tad disappointing. We don’t have the typical lush characters and multiple storylines, and some of the plot elements are just all too familiar. However, I did like the main characters enough, and I loved the look of the film, and the music was wonderful. The 3-D left something to be desired; but it still gave a greater scope of the landscapes of the Scottish highlands than I would imagine you could pull off in 2-D.

The film works enough to recommend and be passable. Maybe if this stayed in Brenda Chapman’s hands all along, however, we could have had another Pixar classic on our hands.

My rating: :-)

The Goonies – 25 Years Later

June 7, 2010 by  
Filed under Blog, Entertainment

“Ye…intruders beware…crushing death and grief…soaked with blood…of the trespassing thief.”

How many times have you said this, in that totally awesome Fakey British Accent just like Corey Feldman as “Mouth” in “The Goonies”? If you grew up between the years 1985-1990, you know these words by heart. You probably know half the movie, if not all of it, by heart. It was a defining “kids” movie of the mid 80’s that still lives on as one of my favorites of all time.

What sets it apart for me as a great film compared to a lot of other “kid gang adventure” movies is that this one has a lot of heart; and not only doesn’t spend its running time showing off kids talking in their lingo and being against their parents but the whole plot revolves around a group of foul-mouthed kids who want nothing more than to help their parents. They want to save the Goon Docks, a little neighborhood tucked away in the rainy, gray skies of coastal Astoria, Oregon.

My friends and I wanted to be The Goonies. Of course, we didn’t have to save our neighborhood. None of us had a Spanish speaking cleaning lady who had to beware of cockroaches and live without food or water if she didn’t comply with orders. Also, none of us, unfortunately, lived near a legendary pirate ship carrying thousands of “rich stuff”.

the-goonies
This was the kind of adventure every boy dreams of, hopefully before they get to 16. In the wide-eyed days of 1985, when we were younger, it was still possible to dream that something like this could happen. This movie was incredibly fun, even with the lame typical mafia-is-after-us subplot. I mean, I guess kids movies always have to have a bumbling group of darkly dressed “burglars” or whatever chasing them. At least this one had a young Joey Pants, and the fight over Pepperoni Pizza was funny. And of course, no one can forget Ma Fratelli who utters the famous line, “Kids suck”. But still, I don’t think there’s a kid’s story out there like this one that doesn’t involve some bumbling mafia guys or some lame government plot that only kids can bust wide open.

I like that the Fratellis never steal the spotlight from the Goonies themselves. Their story is even amusing sometimes, and endearing because of Ma’s deformed progeny, named “Sloth”. Plus, the Fratellis are actually dangerous, unlike most other bumbling villains in kids’ movies. We’re introduced to them breaking out of a prison and murdering someone, stuffing the corpse in a freezer at a seasonal restaurant that’s closed. Well, that’s not totally true–the restaurant is somewhat open. But all they serve is pinkish colored water and tongue.

The Goonies realize that what’s important about the restaurant is that underneath is a cave that does, indeed, lead to the pirate’s treasure. The infamous One-Eyed Willie. But along the way, Sloth joins the group, the Fratellis follow them through the tunnels and the booty traps (that’s Booby traps!), and of course there’s a climax where they’re all on the pirate ship itself.

HEY YOU GUYS!!!!

HEY YOU GUYS!!!!

I was first introduced to this movie through a family friend who was talking to my twin sister about it when we were visiting them down in Slidell, Louisiana. She told us about this movie about a pirate and a bunch of kids, and the pirate was named One-Eyed Willie and he had a patch over his eye. It sounded scary to me, and I didn’t really hear much more about it after that. That was because at the time my family and I were living in one of the most remote towns in the country…Lyon’s Falls in Upstate New York. I was surprised that in my second grade class, the student body was invited to a screening of “The Karate Kid”. But nothing about “The Goonies”.

It wasn’t until 1986, a year after it being released, that I finally got to see the movie. Living in Atlanta, Georgia, and surrounded by neighbors who all had kids me and my sister’s age whom had all seen the movie, it was only a matter of time before I finally got to myself. My next door neighbor, whose hobbies including setting fire to things and copying movies he rented onto blank VHS tapes, let me borrow a copy of it. I was hooked from the first viewing. I identified with its main protagonist, Mikey, and some of my friends around the neighborhood resembled the kids in the movie. I wasn’t nearly as brave or cunning as Mikey, and I didn’t have asthma or braces; but I had a bowl hair cut and I was about his height, I think. I liked quoting Mikey.

“Down here it’s our time… it’s our time down here.”

My friends and I had little adventures of our own. There was an abandoned barn down at the end of a street in our neighborhood that was spooky and old. Naturally, we explored it. There was also a field and a forest behind it. I always wanted to imagine what was beyond…I found out later that it was a Seven Eleven. But at age 8, that’s still pretty cool.

Pizza...? Shhh! Pepperoni...? Shhh!

Pizza…? Shhh! Pepperoni…? Shhh!

The movie shaped my childhood, along with other adventure movies like “Explorers”, “The NeverEnding Story”, “The Dark Crystal”, “Labyrinth”, and “The Goonies” famous rip-off, “The Monster Squad”. Throughout my teenage years I didn’t watch it much. I was over all of that, and I had to give it a break. I think I had watched it 20-30 times during the years of ‘86 and ‘91.

But probably about 8 years ago, around the time when it started to be “cool” to think back on the 80’s (VH1 really went to town with all of that…they sure Loved the 80’s…), I really missed this movie. I still had a clamshell VHS tape (those always made me feel weird, because it just seemed baby proofed or something) and I popped it in and watched it. It really made me ache for my childhood again. I couldn’t watch it for years after that.

For whatever reason, “The Goonies” is still a little painful for me because it’s such a reminder of a wonderful time in my life that’s long over. Sounds strange, but it’s like revisiting the grave of my youth. I don’t know if kids nowadays are introduced to “The Goonies”, but even if they are, it’s not the same. “The Goonies” came out in the middle of the 80’s, when it started to define itself as a decade and date itself. There are elements of the movie that are incredibly dated. The clothing (Mouth’s Member’s Only jacket), Stef’s insanely large glasses, Chunk’s Hawaiian shirt and plaid pants (when was that ever popular?) and of course…the music. Some of the songs they listen to are just brutally 80’s teen rock ditties I’m sure were sellers back in ‘85. But now, they just sound bad. Fun bad, but bad.

This past weekend marked the 25th Anniversary of “The Goonies”. AMC was showing it throughout the weekend. Twenty-five years. It’s pretty hard to think about that. When I was growing up I still remember thinking the 25th Anniversary of “Psycho” meant “it’s old”. Now “The Goonies” is in that class. It’s old. It’s a by-gone era. The Silver Anniversary. It’s just not fair. It should never be considered an old movie–but it is. I just listed reasons why, too. But I don’t want to accept it! I don’t want to accept that I’m old!

OK, I had to get that out of the way.

The DVD release, while not providing a true widescreen presentation (ahem), was a real treat. The commentary track featuring the cast and director was so nice to watch along with revisiting the movie. It was like catching up with old friends. OK yeah, we weren’t really friends. But I made so many connections with these characters, that’s what they felt like. And apparently, these kids formed friendships on the set as well, so it was a real reunion for them as well. It was cute to see, and it’s a cute movie.

Everything from Data’s Pinches of Power to his father telling him in his native Chinese “You are my greatest invention”; Chunk getting his favorite pizza (Domino’s?!?) from his mom and telling Sloth that he loves him; Mouth and Stef sharing a moment; and, the hottie cheerleader Andy telling Mikey he’s a good kisser.

Ah, the Truffle Shuffle!

Ah, the Truffle Shuffle!

With more viewings of the movie, more things just become so darn cute about it. Data’s rant when he falls down the stairs is really hilarious. Mouth’s “I’m taking them all back” soliloquy moves me. And I just think it’s funny that Jake Fratelli makes up a story (presumably?) about going to the Bronx Zoo; and then tells Sloth a story (most definitely true) that they spent money meant to fix his broken teeth on brother Francis’ toupee. There are a lot of little things that just come out of nowhere that add to how great this movie is.

Sure, there’s vulgarity that caused some tidal waves from parent groups back when it came out; but even Ebert said these kids sounded “like real kids”. Of course that meant to him that he couldn’t follow what they were talking about. But we, of course, followed it perfectly. Even when they contracted themselves. Contra…contradicted themselves. We just didn’t want to dictate…or delude ourselves.

Happy Twenty-Fifth, “The Goonies”. You’re still good enough.