Halloween (2018)

October 31, 2018 by  
Filed under Movies

“Halloween” is now 40 years old, and every generation we’ve had since has had a sequel and remake or reboot of the series. Following “Halloween II” in 1981, there was another sequel that acted more like spin-off, “Halloween III: Season of the Witch” which wanted to re-start the series as an anthology. But it was essentially “re-booted” in 1988 with “Halloween IV: The Return of Michael Myers”. In the 1990’s, we got another “re-boot”/sequel with “Halloween: H20”. Then, there was a sequel to that, “Resurrection”…which…doesn’t need to exist at all.

The series was re-booted entirely and re-made with Rob Zombie’s “Halloween”, that re-imagined (RE: RE: RE:) the whole story, giving Michael Myers a backstory and made it a bit more sympathetic than many people wanted. Then THAT movie got a sequel, so we got another “Halloween 2”, which also…doesn’t need to exist at all (Zombie didn’t even want to do a sequel in the first place, much like his predecessor following “Halloween” in 1978).

Now, we have a bit of a mish-mash with “Halloween (2018)”. First, it’s the THIRD movie called “Halloween”, and it follows nearly exactly the same plot as the original and its reboot. And for this generation…I mean, how can we confuse them anymore than we have? You just have to call this “Halloween ’18” for the sake of sanity.

Speaking of sanity, we are introduced to Michael Myers in the present day, 40 years after “Halloween”. That’s right–none of the sequels/re-boots/spin-offs/re-makes exist at all in THIS “Halloween” Cineverse. Myers is being held at a hospital, where Doctor Sartain (Haluk Bilginer) has been observing and caring for Michael since Loomis’s death years ago. So in this world, Myers committed the “babysitter murders” (the original title of “Halloween”), and was committed to the institution. Now, however, he is being transferred to an actual prison to serve out the rest of his however many life terms. Two “podcast” journalists, Aaron (Jefferson Hall) and Dana (Rhian Rees), have been seeking him out for years, trying to get him to speak. They bring him his mask, and Aaron beckons passionately to say something until we are bolted into the opening credits.

There’s an interesting effect with the pumpkin in the credit sequence. We have a smashed or deflated pumpkin that gradually becomes full again, and the sequence ends with us peering into one of its lighted eyes. As if to say we are…resurrecting…the “Halloween” franchise all over again. So strap in!

The film mainly centers around Laurie Strode (Jamie Lee Curtis) who has become a recluse even while raising a daughter, Karen (Judy Greer), who is now grown and has her own daughter, Allyson (Andi Matichak). The three of them are the nucleus of the narrative: but we are somewhat led to believe that the podcasters in the beginning and Dr. Sartain, are also going to play big parts. But more about that in a minute.

When Michael escapes (again…or…for the first time…again), Laurie becomes obsessed with killing him. In fact, that’s all she’s done since he’s been locked away. She’s been waiting for the moment he “comes back” so she can finish the job. She has been practicing firing guns, self-defense, everything that can make you ready to…kill someone. It’s also at this point that this “Halloween” starts looking a lot like all the other “Halloweens”.

And most of it looks like it’s on purpose. We are given many shots of recalls to not only other “Halloween” sequels, but the original “Halloween” as well. Most of it is visual, and many are allusions. But it begins to feel like this could literally be called “Halloween: Tribute”. Director David Gordon Green certainly wanted this to be a love letter to the series, while making his own movie–but in terms of “fan fiction”, sometimes this goes a little overboard.

There are sub-plots that go nowhere. There are scenes with unnecessary amounts of gore that even undermine what the original’s spirit was: killing scenes more implied than graphic. This has bludgeoning murder sequences that even Rob Zombie might flinch at. And I didn’t see the point. There are scenes merely set up to add to the body count, and they’re not all that interesting otherwise.

The film’s strength comes from its trio of heroines, and each one has their moment to shine. Allyson is caught in the teenage web of bad boyfriends and bad parties, but she still has time to help save the day in the end. Karen is trying to shake off bad memories of a childhood lost because her mom taught her to be afraid of basements and closets, awaiting the return of Michael.

But as the movie plays out like many of its sequels and re-boots, I just couldn’t help but think that this could have been done completely differently. Maybe Laurie becomes the villain in some way. After all, taking away her daughter’s childhood is pretty drastic. Maybe Karen grows up to be something dangerous.

Instead, we are given another version of “Halloween” and…yeah, it’s nice to see the music back in full form. It’s nice to see a GOOD Michael Myers-driven sequel. But other than that, it’s a pretty empty shell of its former self, and once again, out of the three movies called “Halloween”…the 1978 version is still the best. And maybe, the only one you ever really need to see in your life.

My rating: :?