“Rebellions are built on hope”. That’s what “Rogue One”, or Episode 3.5, of the “Star Wars” film franchise, bases its story on. The rebellion, the Rebel Alliance, what we come to root for in the most recognizable of the films, “A New Hope”–or as it was originally called, “Star Wars”. But the Alliance isn’t as positively reinforced as it was in “A New Hope”. Here, the rebellion can get ugly, and lines can be crossed. This is a gritty depiction of the rebellion, but to me it makes it all the more interesting.
The writing of the film could have made that a strength, that you didn’t know who were the good guys and who were the bad guys within the Alliance; instead, it’s more of a backdrop. We’re introduced to a small family at first, Galen Erso (Mads Mikkelson) and his wife, and their little daughter Jyn (Felicity Jones). Erso looks to be a farmer on a desolate planet, but the Galactic Empire comes calling, led by snooty looking Orson Krennic (Ben Mendelsohn), whose name could not have served any other office. He certainly wouldn’t have made a good Galactic jester.
Erso had been developing something for the Empire which he no longer wished to be a part of, but Krennic won’t leave without him, and Erso has no choice but to go. His wife is killed and his daughter is left behind in safe keeping by a rebel leader named Saw Gerrera (Forest Whitaker). Jyn grows up to be a laborer, her identity presumably hidden from Galactic forces for unknown reasons. Her anonymity brings her a life of concentration camps and lodging with a slimy alien roommate. But it doesn’t take long for her to be thrust into the Rebel Alliance.
She is told by the Alliance that they need to see Gerrera, who seems to have defected from the main Alliance himself. But it appears that they have deadlier plans for him, and for Galen Erso, who is still a reluctant scientist aiding the Empire with finishing the weapon. Oh, want to take a guess at what that weapon is? It’s nothing big. Not like it’s referenced anywhere else in the series or anything.
Well, Jyn feels doublecrossed when she learns the plan of the Rebellion–but she knows something about the weapon that could spare her father’s life. He built a designed weakness, and left a holographic message that details said weakness. They come to find out that there are plans that can be retrieved–that should sound familiar–and that becomes the mission of the Alliance.
If you couldn’t tell, the plot is a bit thick for an action picture. But in the “Star Wars” universe, I think we’ve come to expect a lot of intersecting storylines and characters. And believe me, you’ll need a pad and pen to be able to keep up with them all. This film has so much going on, it’s easy to get lost in all of it. But while you’re trying to figure out which planet they’re on and what the significance of that is, you’ll be immersed in a lot of battle scenes.
So much so, that this becomes more of a war film than a fun little “Star Wars” lark, such as “The Force Awakens”. This was directed by Gareth Edwards, who also made the 2014 “Godzilla” reboot. Much like that, there is a dour, brooding tone and look to the film that brings the mood down a bit. Its dreary cinematography can sometimes weigh down the film–but for some reason I liked that it wasn’t just your average plucky “Star Wars” film. There is a “gang” assorted, my favorite characters being Chirrut Imwe (Donnie Yen), a literally blind Force believer and his sidekick and caretaker Baze Malbus (Jiang Wen), and of course there’s a droid. This time, it’s K-2SO (voiced by Alan Tudyk), and it has to be the snarkiest droid in the series. I actually found it to be a little jarring, as if the cynical humor was a little out of touch and out of tone for the film. Some of his lines are good–too good. As if they should be coming from someone watching the film, not someone who’s in it. It’s too self-aware. But, the droid does turn out to be useful at least.
The film does have some amazing action sequences, and the space war and planetary war scenes are all exhilarating. You may feel yourself bogged down because of how much is going on, and how grim a lot of the film is; but overall, I found it to be a worthy entry into the series. In fact, I think the film served as a better primer for the rest of the series than all the prequels combined. We see exactly how much we need to in order to bring us into “A New Hope”, and we see enough of Darth Vader to know what kind of enemy to be prepared for.
We also see another familiar face–Grand Moff Tarkin (CGI Peter Cushing). It is amazing how they pulled this off, and sometimes it can be a little distracting because of how seamless they’re trying to make it, but I commend them on the effort. Most of the performances by living actors are good–Diego Luna as Cassian Andor, part of the Alliance, is probably the biggest throwaway. I know how good of an actor he is, but he seems a little stiff in this role because Cassian wasn’t written as thoroughly as he could have been. It’s a shame, because the climax of this film could have been more emotional had we known some of these characters more. They don’t carry the same weight as the characters do in the Episodic films, even the latest one.
But for all of its flaws and shortcomings, I still think this is a good film on its own. I like that it gives more breadth to the Force, since it is bereft of light sabres (except for Vader’s of course), and Jedi (who have all been slain or exiled at this point). Denying those things gives IV, V and VI more meaning when you revisit them after this film. It makes Luke all the more special of a character. And speaking of special, obviously almost none of these characters are referenced in the following episodes. It’s almost just as well. But I do think Jyn was a strong lead, and her band of rebels should be given a bit of credit. So for what it’s worth, that makes the film unique in its own way. It’s not exactly what you’re looking for in “Star Wars”, but it should suffice as a good enough film experience to be satisfying.