September 28, 2009 by Zack
The premise of this film is nothing we haven’t seen before. I was immediately reminded of a lot of different films, such as “Blade Runner”, “Strange Days”, “Total Recall”, and even “The Terminator”. The idea revolves around our own feeling that we need to create a perfect self, since we are so full of flaws. Of course, this is primarily driven by aesthetics. Our imperfections on our body, and nothing else, has driven this human race to go through incredible lengths to make ourselves look better. In this case, you can do so by creating a “puppet” of yourself, and hook yourself up remotely to this “double” of yours. They’re known as “surrogates”, and almost 90% of them look like they were spawned from the Bret Easton Ellis universe. You can live out your wildest fantasies with these things, and if they die? No worries. You aren’t affected. You can just buy another one.
Until one night, an operator is killed along with his surrogate. And the operator just happens to be the son of the creator and former CEO of the company that makes them. The FBI is brought in, and the main team on the case includes Agent Greer (played by Bruce Willis); of course a covert plot is uncovered, and just about everything you can imagine from a garden variety action thriller ensues.
The film begins almost like “District 9” does, with a series of “explanatory” scenes that bring us up to date on the technology and progression of the “Surrogate” project; but that would be the only similarity I’d draw between the two. Where “District 9” blatantly has a purpose and an agenda, “Surrogates” plays around and dances around a lot of interesting themes and doesn’t delve into any of them. Instead the film just delivers a tired plot and an underdeveloped theme of losing your identity and self through these robots.
There is a collection of humans, known as Dreads, that have “reservations” as it were, where no surrogates are allowed. Their leader is The Prophet–and would you guess that he’s got dreadlocks? I mean, that is pretty much a guaranteed symbol of enlightenment and power. But there’s a twist with The Prophet–one you can see coming a mile away if you’re paying attention in the least. But again, these scenes with the Dreads are very trite and predictable, and nothing really interesting happens with them.
There could have been a lot to this movie. I’m guessing the graphic novel series it’s based on digs more into the themes of human insecurity and our thirst for beauty and youth. The film only runs at 90 minutes, so there wasn’t a lot of room for these different ideas to grow. But then why make the film? Why did we need another action film with a flimsy who-dun-it story and a pathetic excuse for a car chase climax?
And while I’m on a roll, why does every single IT/Computer hacker have to resemble Harry Knowles? Seriously. Have some imagination!
While the film is an utter disappointment for what it could have been, it does deliver in some respects. If you were missing Bruce Willis with hair, for one, you get to see that. Also, there are some interesting scenes between him and his wife, about their deceased son. But overall, the movie takes itself too seriously and it doesn’t develop itself enough to really care about these characters, nor does it give you any sense of discovery about human worth and whatnot.
But what did you expect from the screenwriters of “Terminator Salvation” and “The Game”? I hope not much.