Rise of the Planet of the Apes
August 7, 2011 by Zack
Look out, Hollywood! The apes are back! But where’s Estella Warren? Hm? Where are you?? She’s gone…it’s all gone. It’s all been re-booted. In the totally original genre called “re-booting” franchises that was handled with brilliance like in “A Nightmare on Elm Street” (which would have been a hated movie by me if I could have just stayed awake throughout it)…or wait, I think that was just a remake. This is a true re-boot. It’s like “Star Trek”; except, it’s different. There’s no Captain Kirk, for one thing.
So let me tell you the plot because it’s OMG so totally WeSoMEZZ (I just made that up; think it can become a meme?)
It’s about this guy (James Franco, who holds a record of being miscast in films; I think his streak is up to 5 now or something) who wants to treat his dad (the Harry-less John Lithgow, who trades Sasquatch for a chimp) for Alzheimer’s disease by creating a retrovirus called “113” and tests it on apes. The result? The chimps have a heightened intelligence. This is pretty amazing, of course. But it doesn’t impress his boss, played as standard as possible by David Oyelowo (say that five times fast! starting…now!), and so the project is scrapped. Well, there is a test subject that he takes home with him, named Caesar (named after the dressing), and this is no ordinary chimp–it’s a CGI! (Chimp Graphic Interface). Forgive the cheap joke.
Well, Caesar is quite limber and intelligent, and the film spends a few reels showing something that’s very akin to cut-scenes in a video game as we see Caesar grow up and become more intelligent; meanwhile, Dear Old Dad is given a dose of the medicine as well, and it actually works. Unfortunately, it doesn’t last forever…and he replases eventually. Meanwhile, the guy, Will, develops a relationship with a doctor named…oh…you know? I don’t remember. Why? Because she serves no purpose other than to say a few things to Will about how careful he should be. And they kiss at some point. Finally! The film lapses through about 8 years–this girl knows how to hold out.
Also, Caesar starts to really emo out. He gets lonely and sad, and wonders if he’s just considered a pet (which he is), and winds up taking out his self-loathing on a neighbor (who gets a few shots taken at him…but not enough payoff). He is sent to a little…monkey prison, where he is tormented by Draco Malfoy (well, Tom Felton, the guy who played him) to the point where Emo Caesar starts to really get peeved. He befriends the apes in the prison, and they basically break out and wreak havoc.
And that’s actually where this movie is so disappointing! Here you’ve got a pretty entertaining premise, and Andy Serkis is so good as a CGI actor that he’s basically a human special effect…possibly the best ever. But they go so by the book, standard, garden variety, no violence and no real tension…it’s not that it’s boring, it’s just that it’s so sterile! This movie could have had a lot of fun with itself, or gone the complete opposite direction and make it a real bloodbath. Apes just killing and pillaging and whatnot.
Instead, the movie feels like some kind of weird kid’s movie, which is confusing because kids would probably be scared to death of these chimps once they turn, and I gotta believe zoos better be aware that kids need to be told that A) the chimps in the zoo are not computer generated and B) not going to suddenly go America all over your ass.
Yes, the apes hold our attention more than the cardboard cut out human characters; but they’re also given very formulaic personalities that never really lets them breathe…so we get something that could be maybe enjoyed at a Drive-In; but it could have been a really fun movie if it wasn’t so Studio-tweaked.
I wanted to have fun with the movie; but it just didn’t let you in. It looks good, the CGI is well used, and the emo factor is fantastic–all Caesar is missing are the bangs. And maybe a Twitter account. But this movie just doesn’t explore any of the amazing possibilities (like Apes using Twitter) that it had, so we’re left with a very banal and standard action film that’s so synthetic that we can’t connect with any of it.
I can only hope the sequels do something more; but I highly doubt that’ll happen.
Maybe they could at least use LinkedIn though…