October 7, 2012 by Zack
Typically I get a very uncomfortable feeling whenever I see “time travel” being advertised in a sci-fi film. Time travel is one of the great deus ex machinas that just permeate the sci-fi genre and has had mixed results. Sometimes you get a good yarn like “Back to the Future” or a silly but smart little ditty like “FAQ About Time Travel”; sometimes you get a pretentious laborious bore like “Primer”. In “Looper”, Rian Johnson tries his best to not focus on time travel as much as characters. Much like what he did in his brilliant film “Brick”, Johnson balances character study with high concept plot devices.
It works enough in “Looper” overall, although I must admit the first act of this film is very dizzying and in some ways, downright sloppy. The film revolves around a story about time traveling being outlawed in the year 2074 but there is a crime syndicate that utilizes what are known as “loopers” to assassinate any target of the crime bosses (sent back to the past) and have cases of silver strapped to their backs. Our hero, Joe (played marvelously by Joseph Gordon-Levitt), is one of these loopers. In rare instances, you are going to come face to face with your old self and will have to kill yourself, ultimately. This is known as “closing a loop”. A futuristic megalomaniac known as the Rainmaker is trying to close all loops; so Joe’s older self (Bruce Willis) tries to warn Younger Joe and tell him he can change their paths if he can kill the Rainmaker when he’s still a boy. It leads Younger Joe to a farm in which a woman named Sara (Emily Blunt) is protecting her son (Pierce Gagnon, in a role that should receive Oscar attention if there’s any justice in the world). The three of them actually form a unique bond, and this is where the strength of the film lies.
But it takes a very, very long time to get to this farm, and that is the biggest weakness in the film. This is not a film that stresses time travel; and yet, there is way too much exposition in the beginning of the narrative that makes you think there will be some sort of reveal or twist at the end that never comes. Instead, we do get a very deeply involved three way plot between the before-Rainmaker Cid, Joe, and Sara. I feel like if the film was simply these three on the farm most of the movie, it would’ve been stronger. There are so many ancillary characters that don’t lead anywhere and a few red herrings that almost seem like they would’ve been weeded out after a table draft of the shooting script. It doesn’t necessarily take away from the overall enjoyment of the film, but it does make it seem longer than it probably should.
Johnson didn’t seem to have these pacing problems when making “Brick”. Perhaps he was a bit too ambitious with this film. It still works overall, and it’s still dazzling at times, and completely enthralling as a thriller. It just buckles under its overly complicated storyline and sometimes gets weighed down too much by exposition. I feel as though if this film were tighter, it would’ve been close to a masterpiece.
I can accept it as a fine sci-fi thriller with some great character scenes that are so rare in sci-fi films, or mainstream films in general, and recommend it based on the simple fact that it does deliver when it needs to.