Her

January 28, 2014 by  

We live in a very interesting time when it comes to social interactions and relationships. With the advent of social networking through this Technological Age, it seems as though we can be impersonal and personal at the same time without it being a dichotomy or contradiction. In Spike Jonze’s “Her”, we are taken through a very personal journey for the characters that is as real for them as it can be for the viewers watching. It doesn’t try to stand alone as a statement of what technology is doing to us as people, however, nor does it make some kind of general social statement about humanity devolving in any kind of way.

It tells the story of a seemingly lonely guy named Theodore Twombly (Joaquin Phoenix) who may seem detached but is able to successfully write love letters for clients at one of the most curious companies ever. It may be arbitrary but it certainly serves as a good purpose for the theme of the film. In some cases he’s known his clients so long he can actually come up with thoughts of theirs that they may not have even told him to put down in writing. He’s lauded for his efforts by a co-worker, Paul (Chris Pratt), and he seems to be happy with the job. But he has an emptiness in his life that we learn comes from the impending divorce from his wife, Catherine (Rooney Mara), whom he’s known since childhood. Fragments of their relationship are spliced throughout the film, giving us a glimpse into their happiness, and demise. We’re not exactly sure what broke down between them, but it becomes more apparent as we get to know Theodore more. He is immersed in technology. He’s one of those guys who will always have the latest tech gadget–but instead of being introverted about technology, he seems to use it for social reasons. He logs into a one-night stand hotline to have phone sex with strangers (sort of like Chat Roulette) and has a rather amusing if over the top encounter with a random girl (voiced by Kristin Wiig). He is turned onto a new kind of AI operating system that grows in intellect the more you use it, and Theodore decides to invest in one, choosing a female voice that names herself Samantha (Scarlett Johansson).

Her relationship with Theodore starts off more like Siri for iPhone but quickly develops into a more familiar one, and then a romantic one. Theodore is instantly hooked, but has some distractions…such as a first date with a girl his friend has set him up with (played a little too convincingly by Olivia Wilde). His friend Amy (Amy Adams) is in a relationship herself, married to a somewhat inauspicious guy, Charles (Matt Letscher) who is never afraid to criticize her even when she’s showing a film she made to Theodore. The date starts off well but goes awry and Theodore confides in Samantha, drawing them closer together.

This is where the film really becomes absorbing. Once they fully accept being in a relationship together, all of the parallels of what a relationship is are explored. He calls her his “girlfriend”, even to his soon to be ex-wife, who mocks his relationship and tells him he can only have a meaningful relationship with “his laptop”.

But things aren’t so rosy for Theodore and Samantha. There are jealousies, accusations, things that happen in a normal relationship, that begin to challenge their situation. It’s all very natural–but it’s all very synthetic at the same time. In a way, Theodore is Samantha, programmed to be a way that cannot change. But can he accept himself being alone, and not being lonely?

This sort of plot is not exactly wholly original. We’ve seen stories of Artificial Intelligence being used as characters in relationships. Spielberg’s “AI” and Andrew Niccol’s “S1m0ne” come to mind. But I like that Spike Jonze makes this a very intimate, personal story. One that you become so wrapped up in because you start to put yourself in Theodore’s place. And Johansson’s performance is so instantly appealing, you start to fall for her as well. Every jolt of something unpleasant between them is felt, and when you feel something is slipping away, you get that same feeling you would if you were going through the same thing with your significant other.

Even though it sounds a bit heavy, it’s emotional impact is embraceable, rather than something that weighs it down. It gives the film so much more depth by exploring the ups and downs of a serious relationship. In a way, it’s more powerful than some films about two actual human beings in a relationship. Never seeing Samantha allows our imaginations to conjure up what she’d look like, what her expressions were, and I didn’t necessarily actually picture Johansson a lot of times. There are some laugh out loud moments, too, such as when Theodore is stuck at a certain point in a video game he’s playing. The character he interacts with (voiced by Jonze) is very funny, if a bit obnoxious and rude.

The film is very satisfying, and I think it could pass as a date movie. Not a first date movie, though. That may be a little much…and a bit too revealing. It’s like going to a palm reading for couples on your first date. You want to have a little mystery.

But even watching alone, it can be greatly appreciated. The performances are very strong, and credible, and the journey is one that’s very sweet and endearing throughout. Try not to hit on any computers on your next visit to Fry’s, though. May be a little awkward.

My rating: :D

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