Harry Potter and the Half-Blood Prince
July 23, 2009 by Zack
I find it hard to believe anymore that there can be a “twist” or “secret” that hasn’t been revealed on the internet regarding “Harry Potter” but apparently that was the buzz leading up to this film’s release. The book series has eclipsed anything I’ve ever grown up with as far as sales and interest from kids, and it’s certainly shaped a generation the way that, say, “Star Wars” did from the late 70’s to mid-late 80’s–and in some ways, still shapes generations today. But with Harry Potter, it’s the books that have done the good; the movies have merely profited on what was already a good story by J.K. Rowling.
For those who are tired of the hysteria, you’re not out of the woods yet. While this may be the sixth installment, and there is only one left, it is going to be split into two movies. While I find this exceedingly unnecessary and unfair to my wallet, the only thing I can hope for is that it allows the characters to breathe more life into a film series that has lacked so much character depth, that by this installment, it was almost too late to care about the characters.
Almost. With a better than average script by Steve Kloves (who has written previous Harry Potter installments) and good pacing from director David Yates (who also directed the previous film, “Order of the Phoenix”), “Harry Potter and the Half-Blood Prince” finally brings these characters to life to the point where everything feels real. There is much more humor in this film, especially in the beginning, and it’s done purposely so that by the time it gets serious, you are ready to take it seriously. The laughs will also keep the kiddies in the seats that may not understand the more adult themes that are going on.
Relationships are the centerpiece of the film. Everything from awkward high school boyfriend/girlfriend to deep friendship, and mentor/student, is explored. The kids are growing up, for sure. But the most important relationship, and the biggest reason why this film works so well, is the relationship between Harry and Dumbledore. This was the first time I actually accepted Michael Gambon as Dumbledore. I really didn’t like the pick at first; I felt his demeanor to be too stiff, his eyes too dubious and lacked the sensitivity and innocent loveliness that gave Dumbledore such a glow (as Richard Harris did). But he really brings his best and most heartfelt performance here, in a very important chapter in the series as he and Harry embark on a journey to stop Voldemort.
We never really see Voldemort in this film, either. We don’t see a lot of things we saw in the previous films, and I think that was actually quite refreshing. The film looks different from the others. It feels different. The characters’ actors have grown (except Emma Watson, she is utterly hopeless as an actress) and the film is so much more about anticipation than it is execution. There is a lot of build up. In a way, it’s like “Empire Strikes Back”, although the climax doesn’t really involve a battle (although in the book there is one).
The film is either boring or incredibly engaging depending on what you’re expecting. If you appreciate what the story is telling you about coming of age, not only as a boy into a man, but as a hero as well, and you want to take the journey with the characters, you’ll have a feast. If you want the special effects extravaganza and a lot of action, you’ll have famine. While there are a few intense scenes, most of the film is dedicated to the growth and maturity of Harry and his little brat pack.
While Harry Potter may be derivative and at times, shallow, the film series is proving it’s not how you start, it’s how you finish. I suppose we’ll have to wait for the final (2) film(s) to make the ultimate decision on whether it’s a success, but the last 2 films have proven it is at least a possibility.