April 3, 2017 by Zack
“Get Out” is a truly original horror film experience. Writer/director Jordan Peele, who has a background in comedy, is able to weave humor and satire into a striking, sometimes shocking thriller about a black man going to his white girlfriend’s parents’ house to ‘meet the parents’ for the first time.
This premise seems more appropriate for a summer rom-com; but Peele uses it as a chance to make a statement about race relations, and status in this country. Chris (Daniel Kaluuya) has been dating Rose (Allison Williams) for about 5 months, and Rose wants him to come to her parents’ country house for the weekend. Chris, who is a photographer by trade, is a bit worried when he asks her, “Do they know?” She plays coy, but eventually relents that she hasn’t told them. She doesn’t think it’s a big deal, but Chris has obviously had some experience and braces himself. According to her, this is also her first black boyfriend, so Chris is even more sure that there will be an issue. Rose assures him that her parents are extremely liberal and open minded, and her dad would have “voted for Obama for a third term if he could have”. As patronizing as that sounds, it at least sets Chris at ease that maybe they won’t make as much of an issue of it as he initially feared. Chris has his friend Rod (Lil Rel Howery) take care of his dog while they’re gone, and they set off to the country house.
On the way, they accidentally hit a deer. This affects Chris, as he watches the deer die off in the woods by the side of the road. That along with a roadside incident with a white police officer, who seems to have more of a problem with Rose than Chris, sets a somewhat ominous tone. We think we know what we’re in for at this point–but Jordan Peele does have some surprises for us.
When we meet Rose’s parents, Missy (Catherine Keener), and Dean (Bradley Whitford), we see what Rose was talking about. Dean speaks highly of Obama, and keeps calling Chris “my man”. Missy is very welcoming, and casual. Neither have an issue with Chris being black, and Rose teases Chris about him being wrong. But there is something a bit strange: the two caretakers of the house–Georgina (Betty Gabriel) and Walter (Marcus Henderson)–are black. Dean plays this off as irony, because the two of them actually took care of his father, who died years ago, and kept them on so that they’d be employed somewhere. Dean explains that his father finished behind Jesse Owens in the 1936 Olympics in Berlin. Chris laments it’s a shame his father had to live that down, but Dean brushes it off, that Owens was the best. A seemingly innocuous exchange, but it has a little more importance as we dig deeper into the story.
Eventually Rose’s brother comes, Jeremy (Caleb Landry Jones), who takes an interest in Chris as an athlete. He challenges him to a fight obnoxiously, but Chris is pulled away by the family who chastise Jeremy for being rude. Rose apologizes to Chris by the end of the night, in which Chris smirks and says, “I was right.”
The following day, Rose discovers that the family had been planning their annual big get together with the rest of the family and other friends, which means even more white people for Chris to have to try and figure out who is going to make him feel more uncomfortable. It’s some commentary about “being the only black surrounded by whites”–no matter how obsequious or polite, it still makes someone feel out of place. But there’s even more unsettling things going on at this party. Not only are the whites trying to impress Chris with their accepting demeanor, but the only black person who does show up–as a guest of an older white woman–acts strangely, and seems out of place himself.
As things start falling into place, Chris realizes he’s somewhat become trapped into this little world, and uneasiness and awkwardness give way to outright fear. He allows himself to be hypnotized by Missy, who wants to help him quit smoking–and that starts to become a problem for Chris once he realizes what they’re up to.
The film has some familiar tropes and Peele does a nice job of sending the message that he’s aware of the familiarity. So he throws a few wrenches into the plot, and mixes things up a bit. It’s a clever film, and has some biting commentary, especially because the racial undertones don’t have to do with Southern white yokels, but rather seemingly intellectual whites who try to come off as unprejudiced. I’m sure Peele has some personal experience with this, and his cynicism is well displayed throughout the film. The performances are very strong and credible, particularly Daniel Kaluuya as Chris, who really wants to just survive this crazy family weekend and get back to his life. He also has a dark secret about his past that becomes exploited at some point, creating another layer for the narrative of the film, which was already strong to begin with.
For a first time effort, this is a fantastic exercise in horror and satire, and Peele has certainly laid the groundwork for a brilliant filmmaking career. This isn’t for the squeamish–for gore or social commentary. So come in with a strong constitution, and a truly open mind, and you will be greatly rewarded.