October 22, 2013 by Zack
“Carrie” is an iconic horror film from the 1970’s that probably never needed to be dug up and remade again (isn’t she supposed to be burning in hell anyway?). But, there was another iconic horror film from the 1970’s that was remade, and remade pretty well, and that was Rob Zombie’s “Halloween”. So why not?
Then again, “Carrie” was already remade. But do TV remakes count? This one shouldn’t have. And let’s not mention “The Rage: Carrie 2”. OK, I just did. But let’s just move on now.
This remake is directed by Kimberly Pierce (“Boys Don’t Cry”), and has a strong cast including Julianne Moore as the psychotic fundamentalist Christian mother, Margaret; and, Chloe Grace Moretz as the titular character, Carrie White. Sprinkled in the supporting cast is Judy Greer as the gym teacher Miss Desjardin, Portia Doubleday as Chris Hargensen, and Gabriella Wilde as Sue Snell. This is a contemporary remake, so all of the events in the film take place now, not back in the 70’s. This sets the stage for a film that could really make a statement or at least have an opinion on the 21st century problems of “cyber bullying” and “mean girl syndrome” that seems to be infecting more and more schools around the world. In the hands of such a good director as Pierce, I had high hopes.
However, this film just pricks and prods at the problems of abuse and bullying rather than really taking these issues to task. Carrie (finely played by Moretz) is a 17 year old virgin who experiences her first period (a bit late) in the gym showers after a water volleyball scrimmage. The mean girls laugh at her and take photos; Chris (nicely played by Doubleday) uses video from her iPhone and puts it up on Youtube (doesn’t everybody use Instagram for short videos now?). At first, Sue (Wilde) is part of the action, but she starts to feel guilty. The gym teacher puts a stop to the whole ordeal and tries to comfort Carrie while also punishing the mean girls.
Meanwhile, during Carrie’s meltdown, she finds out she has telekinetic powers. This leads her overbearing Evangelical mother (Moore) into believing she’s a witch and forces her into a small closet to pray about it. Something tells me that’s not going to exorcise the demons though.
The movie’s plot pretty much plays out the same way the original did, which is a bit disappointing since they could’ve gone for a different approach. The original novel is written in an epistolary style, telling the story from media viewpoints after the fact. In this day and age of 24 hour, ubiquitous media outlets exploiting every single story out there, I think it would’ve been a nice idea to try and use that as a device to make a commentary on today’s society. Think of interviews with survivors with Bill O’Reilly; or, people blaming liberals and conservatives for Carrie and school bullying? Social satire would’ve been a fresh idea here. The acting is good, and Julianne Moore does a worthy job of filling in Piper Laurie’s shoes as Margaret. But her character isn’t nearly as menacing and scary as in the original film. As good a job as Moretz does as Carrie, she just doesn’t have that same innocent and yet “could snap at any moment” quality that Sissy Spacek naturally had.
As familiar and predictable as the remake is, being so close to the original, it starts to break down toward the end with the prom sequence. First, we come to realization that we hardly know any of these characters and so the prom just doesn’t feel that big of a deal. It feels like it’s just there to serve as the climax. And because we haven’t had the chance to really get to know any characters, some of the mocking at Carrie during her “pig’s blood” scene doesn’t really add up. Especially when her period video is being shown on a loop on a big screen during it. The natural reaction to something like that, I would think, would be more horror than laughter. Even with how mean kids can be, there’s not a whole lot of setup that the whole school is full of disaffected desensitized youth–only the mean girls share that quality.
So when Carrie finally comes undone, she comes off more as a Hogwarts reject showing off her magical powers (and in some facial expressions, looks like she is enjoying it for the sake of it), rather than a traumatized victim who’s finally acting out her aggression on those who have tormented her throughout the whole film. And that’s where the film just falls completely flat. Before the prom scene, I could forgive it as a nice and faithful remake. But then when you start to think about all of the possibilities this film had to be so much more, I just felt that it was overall a missed opportunity.