Angry Video Game Nerd: The Movie
August 18, 2014 by Zack
In the fall of 2006, I started mining YouTube after hearing so much about it being this outlet for people to make videos of themselves and whatnot. At first I thought it’d be just a passing fad, something that would be like an internet version of America’s Funniest Home Videos (which in some ways, it still is), but have no staying power. Obviously, I was completely wrong. It grew, and grew, and by the time I got into it, there were already internet celebrities.
The one that immediately caught my interest was a guy who went by the name The Angry Nintendo Nerd. The first video I watched was “Teenage Mutant Ninja Turtles”, his rant on the NES version of the game. Immediately, I felt like I was 8 years old again, remembering all the frustrating things about it. I remember all the insane little jumps and the electric seaweed in the underwater stage. As nostalgic and classic as the game was, it certainly caused many headaches. And I liked this refreshing look at these old games–sure, AVN was angry. But you could tell he had a love for these games as well–or at least gaming in general. I subscribed immediately, and through the years I grew beyond just the Angry Nintendo Nerd stuff (renamed Angry Video Game nerd as he got bigger and tapped into bigger markets–plus there’s that pesky trademark issue). I watched “Monster Madness” on his Cinemassacre site, and followed some of his short films like “Rocky Jumps a Park Bench”, and even watched some of his old films he made as an adolescent. His fame grew wider, and I had a feeling he was going to do something more with the Nerd. Of course…the obvious thing was…make a movie.
In 2011, I saw that there was a posting about auditioning throughout the country. Being based in Chicago, I immediately responded saying I was interested. I went to the audition, got to meet The Nostalgia Critic (Doug Walker) and have my picture taken with him, and I wound up on an audition video that was compiled sometime after. Not to brag (because I thought my audition was terrible), but The Critic gave me a thumbs up and said he liked it. Sure, he was probably just being nice. But so what!
Anyhow, I didn’t know what to think of the movie once I started seeing the trailers and such. I knew he was putting a lot of effort into it, as his quality of his other efforts dipped a bit (time constraints will do that); but I wasn’t really into the plot I guess. And I didn’t know if he could sustain this character for a whole two hour movie. I still remember being disappointed with feature-length adaptations of short themed sketch-like endeavors such as “Tim and Eric’s Billion Dollar Movie”. So once the film was finally completed, and release dates were published, I knew I had to go see it. I just didn’t know that I was excited to.
I decided not to follow his progress, or read any blogs relating to the movie. I didn’t watch any updated trailers. I wanted to go in fresh. So, August 14th, a second showing opened for Chicago, and I went.
Before I start the review, I will admit that I am a total fan of James Rolfe and the AVGN brand. I feel like I’ve followed his career through the thick and thin (there were some lean years) and I have always admired his acumen in both film and gaming. That said, I am not reviewing this film as a fan. I feel like I can’t do that. I have to do service to the film itself and knowing how hard Rolfe worked on this, how many sacrifices he probably made and how wonderful of a wife he must have to go through this with him (and now having a child on top of all that), I will fairly critique the film.
The film opens with an homage to AVGN as a celebrity, and his fans. It references some of his trademark reviews an signature riffs and rants, and splices shots of fans saying how much they are a fan of his. These are genuine videos made by the fans, presumably by those who donated to the film as well.
I’m mentioning this because, even though I am a fan, and I love the Nerd and his rants…this has to be the most useless way to start his film. I realize that Rolfe has a soft heart, and loves his fans dearly (I can’t say enough how much I appreciate his devotion to his fans)–but this wastes some time and it starts the film off wrong, and slow. And no, I didn’t make a fan video and am just disappointed he didn’t use mine. But if you are a fan of his, you already know how funny and awesome he is. If you aren’t, do you really need to sit through 5-10 minutes of people adulating him? I think that’s a bit self aggrandizing, even if Rolfe doesn’t mean to make it that way.
It does serve a narrative purpose, slightly (not enough to justify it completely though). We learn that the Nerd (Rolfe) will do anything for his fans–except review The Worst Game Of All Time–“E.T.” for the Atari 2600. The Nerd, who works at GameCops (ha…) is egged on by a fan of his, and friend, Cooper (Jeremy Suarez), who also does game reviews as well. You could call Cooper a protege. The Nerd is shocked to see that a gaming company, Cockburn Gaming, is launching a sequel called “EeeTee Too” (they also refer to the original as EeeTee). A representative of the company, Mandi (Sarah Glendening), tries to entice the Nerd to review the game. But he is fearful that if he reviews that game, it’ll only stir up more interest in the original, which traumatized his childhood so much (in a very amusing scene) he can’t bring himself to relive it.
There’s also a myth he wants to debunk that there are countless copies of the original buried in the Alamogordo dump in New Mexico, which apparently is very close to Roswell. An irate and insane general, General Dark Onward (hilariously played by Stephen Mendel), goes after the Nerd thinking that he is after the UFO remains at Area 51, not the landfill dump.
Another subplot involves a scientist named Dr. Zandor (Time Winters) who is partly behind the “EeeTee” conspiracy, and his plot was to uncover the UFO conspiracy to help the alien that crash landed here in the 40’s. The alien, voiced by Robbie Rist, is one of the most entertaining characters in the film. Rist, if you’re not familiar, is the voice of Michelangelo in the first “Teenage Mutant Ninja Turtles” film.
One more subplot that adds to the last third of the film involves a theory of a mechagod that will destroy the universe and ultraverse and everything in between…existence as we know it will no longer…exist.
All of this actually winds up working well. The film is part buddy movie, part caper, part monster movie, and part sci-fi yarn. It all comes together nicely, and I credit that to the writing team of James Rolfe and Kevin Finn. They also do a nice job of throwing out references to other films (“They found me. I don’t know how, but they found me.”) and paying homage to old 1950’s B movies.
The special effects are purposely simple; and, in some cases, downright ridiculous. But even though it’s self-aware, there is never once a wink at the camera. Nobody cries out, “It’s a miniature!” or “That’s a spaceship?” While the Nerd references his own trailer (“I only said that for the trailer!”) there isn’t much more of that self-referential humor bogging the film down.
Really, the only two problems I had with the film were the first fifteen minutes; and I thought the character of Cooper should’ve been more well developed. While I get that the in-joke is that he’s a sidekick and they’re mostly useless, he could’ve been stronger as an adversary–or, someone who is the complete opposite of the Nerd. It just creates more possibility of tension, and in some ways Rolfe takes the easy way out of any character conflicts.
There’s another character named McButter (Helena Barrett) who is amusing as well, and gets involved in a predictable catfight later in the film. Most of the cast, actually, is quite charming. And the film does have some really big laughs.
I’d say that I enjoyed the final third of the film the best. And that would be when it becomes a monster movie. Knowing that Rolfe had trademark limits, I liked his clever little ways around any copywritten material or names (Vegas casinos, for example). Again, this film knows it’s low budget. But it’s not trying to be low budget, if that makes sense. While I know Rolfe prefers practical effects to CG, he also knows its constrictions when you don’t have millions of dollars to spend on them.
The film works overall because you can tell how much fun they’re all having with the material, without it being too self indulgent. It walks that line throughout, especially in the beginning; but it never crosses into anything too groan-inducing.
There are some fun cameos in the film, too, which I won’t give away. But a certain bad bird movie heroine has a sighting. OK maybe that was a giveaway. But I didn’t give away the biggest ones.
And stick around at the end, and you will finally see AVGN’s review of “E.T.”